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'We must insist that the world is what we have always taken it to be': Disruption in T.S. Eliot's The Family Reunion and Wole Soyinka's Death and the King's Horseman

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Abstract

'We must insist that the world is what we have always taken it to be': Disruption in T.S. Eliot's The Family Reunion and Wole Soyinka's Death and the King's Horseman